Cruzianas au studio!

Cruzianas au studio!

Cruzianas au studio!

A painting with thickened dye workshop-handouts, masks, gloves lined up and ready for the Cruzianas to come paint their hearts out. 5 women came, so I moved some tables around to make room and washed off the formica skins.

We had 3 days.

The first to get oriented and clear about fibers and activators, mixing dye recipes and chemical medium. Swatching out the dyes (painting small amounts) on all the fabrics they brought. Waiting for the drying process to complete to see how much lighter the colors would be. Doing our silk screening before painting.

The 2nd, demos from me and laying out of printed work and painting over those and many more pieces. I also created many buckets of dye for men’s shirts and various swatches for vat dyeing. What I love is to see how differently everyone approaches their work. And also to see how the energy builds and gets so high and productive.

The 3rd day we washed out all we had done, did some discharging, and pushed to get a bit more painted and then cleaned up.

I think the information coalesced at the end. I spent time with Sharon fine tuning my class notes to really clarify the process. All in all a very fun, satisfying and edifying time. They are a great tightly knit group of women and I love spending time with them. The ideas flow and everyone is totally engaged. Thanks Cruzianas!

Summer Cleaning:

Summer Cleaning:

Summer Cleaning:

You know when you can’t get anything done, can’t find parts for your projects, that it’s time to take matters in hand. Stashes start to multiply like loaves. When first you had one solid wall of snap-on boxes, now the fabric is spilling out making another wall and a half. Too much.

Can I rid myself of these “babies”? No. They just get encapsulated, the little inner voice reassuring you this project will get done soon-ish. Mending, reconstructing, repurposing. Fodder for fun or mass to weigh you down? These are the universal questions of the sewer/creator of textilian wonders.

And no, I haven’t read the Japanese woman’s book about decluttering. Nice concept. Can do maybe 40% reduction, on a good day. I’m open to feedback. Let me know your philosophy on the matter of stash vs. less stash. I don’t agree, by the way, about the person having the largest one when we die wins. I’m committed to working it out: reduce recycle, reuse…

 

Before & After

Love Fest In Santa Cruz

Love Fest In Santa Cruz

Love Fest In Santa Cruz

Okay—I don’t think I have ever taught 11 women, and schlepped all my scraps, sewing machine, artworks and clothing anywhere. But when I was invited to work with this close knit group of artist/sewers I jumped on the opportunity. I love to teach. It is such a perfect balance of give and take.

I tried to come up with a curriculum, but the years have taught me to fill in as I go along. I know what I am doing. Do I get nervous? Yes, but then we get into the flow, that all melts away. I am there to share and they are rapt listeners. And they in turn gift me with their ways of doing things and their vulnerability.

We started with show and tell, examining all seams stitches and cuts of the garment. Then I talk about the mystery process of SOLVY, the dissolvable interfacing.

Sunday I do another demo of my Dervish process: collaging pre-painted fabric together into a vest shape. There again everyone has their way of assembling and approach to composing. But I hope I offer another way of seeing. It is wonderful to watch these women using all their senses to create in a new way.

We have a final critique of the SOLVY pieces and vests before we break up. It is rewarding for us to share in the process, elevating the work to a new level, seeing with new eyes.

Welcome to the New Year!

Welcome to the New Year!

Welcome to the New Year!

In keeping the creativity in the family, my daughter Tamara and I spent a child free day at the studio dyeing onesies. It was a smooth day, though I am terrible giving oral directions as I tried also to get something done. But after 37 years of trying to interpret her mother she got what I was saying and produced a mass of wonderful colorful onesies for grandson Cyrus and 2 other babies in our clan…A good start to the year.

Also, this month since having good shows this fall I am going to designate some time to do a couple of fiber projects I have on the shelf. Looking forward to a different emphasis in my work, an expanded mind space as it were…

Showtime: Palo Alto Style 2014

Showtime: Palo Alto Style 2014

The process of preparing for a show is as follows:

Months and months before the show there is the perception of having endless amounts of time…I work diligently, but life of course is ever present, nipping at my heels.

Midway through, say a month before the show, I am at the height of my creative flow and juiciness, working like a bee, fertilizing the new garments with beautiful touches.

Two weeks before, time suddenly comes into focus. I see I can’t finish all the re-dos I bought a week ago at the Salvation Army! I am getting mad at myself for not being more productive. I am frantically trying to prioritize what I think I can realistically make before then. Counting the actual days I have to work. My energy getting more drained the more stressed I become.

The week of the show I start to let go. Still trying to whip myself up into a semi-frenzy, but knowing that it won’t do any good. Now is the time to get my ducks in a row. And not get sick.

A calm and more grounded mindset sets in and I am printing out my mapquests of where I am headed, counting out vitamins and visualizing good sales and happy camaraderie with the other designers and artists.

Re-dos Redux: Miguel Adrover

Miguel Adrover
 
I buy used shirts to embellish and re-figure. I call them re-dos. There is a satisfaction in the recycling-reuse nature of this work. (Plus, I don’t have to make a shirt from scratch). I sent my friend Annie a couple of pictures from the black and white series I am working on and she replied by sending me the name of the master/designer extraordinaire:

 
Miguel Adrover, a Spaniard, taker apart-er, layer-er, of all manner of clothing.

 

He divides the used garments, and pairs them with similar or random tops, coats, or dresses. He takes mountains of the thick folded clothes piled one upon the other to create a structure to wear. It is hard to describe the nature of these clothes. They arrest the eye, are mysterious, and provoking.

 

He is an environmentalist, whose commitment defines the character of his work. He is an inspiration, not just because of this stance, but the free and passionate way he compiles and creates. Truly a designer for our time.