The Magic of Ashland! DOL with Diane Ericson

The Magic of Ashland! DOL with Diane Ericson

The Magic of Ashland! DOL with Diane Ericson

The large room was decorated in an arabesque style, white trim and Naples yellow walls. It became the warren of busy women, all eager to move forward in their work and creativity.

This second DOL I participated in was in Ashland, Diane’s hometown. It convened in the Ashland Springs Hotel, an old refurbished hotel, the tallest building in town!

Across the street is Sew Creative, a marvelous fabric store. Couldn’t be more convenient. Many great shops and restaurants line the streets and, of course, if one had time there is the theater.

I felt calmer this time. Knowing more what to expect and what might be required of me. One of the pleasures of a gathering of like souls is: who will show up, what might they do and how will they contribute to the whole energy/gestalt of the group. I was not disappointed!

There is an openness these women have that serves as the conduit for magic to happen, or at least process. And with that openness comes a vulnerability to be present in a group setting, because everyone has their own pace and style of working. No judgment. It is a beautifully held circle.

Diane and I presented our pieces to a rapt audience. There was something for everyone. I am in awe of Diane and her mastery of details. I realized that because I am more production oriented, albeit low production, that we have very different approaches. As my friend Collins says we complement each other very well.

A special treat was meeting Miles, Diane’s son. He did a demo of his printing techniques and shared his artwork with us. He is a younger free-form reflection of his mother, energetic, charming and affable. We exchanged ideas and I shared my Solvy technique with him and artworks were traded as well.

Little by little projects coalesced on each table. Pieces were tried on. I was happy to drape a piece under Diane’s eye and had a small but not insignificant break through on a seam that juts out. Simple (or not so simple) pleasures! It was fun to partake of the stitching and watch something take form.

Knowing this was probably my last teaching with Diane added to the tender tying up of the loose threads and the closing of the circle. The intensity of newly forged friendships and ideas remain, to be remembered and tapped into even after all this time has passed. I am grateful to be part of this G-threads group, that keeps us connected and broadens our world.

The Ampersand Vessel Challenge

The Ampersand Vessel Challenge

The Ampersand Vessel Challenge

My art group called  Ampersand or Amps meets every two weeks. At a recent meeting my friend Juline Beier presented her solvy pieces- cylinders made of solvy and stitched newspaper dipped in wax. She is always pushing herself towards more volumetric shapes like her beautiful delicate flax bowls. So, when we were critiquing the rolls I challenged her to make a bowl in the solvy/newspaper/ wax technique. And immediately she challenged me to do the same with my stitched-pieced-with-scraps solvy work.

The challenge was on!

First I made a pattern, a slightly awkward process, draping over a salad bowl. Then selected a variety of scraps and then sandwiched them between the layers of solvy, went to work stitching. I don’t give myself much time to work this way. And so it was fun to feel my way forth- where to make more lacey places, where to leave open areas or closed. How to attach the bottom…Questions answered through doing. I am pleased with the results and would love more challenges to do this work so that I might develop my skill set. I’m stoked on the vessel-ness of it.

Love Fest In Santa Cruz

Love Fest In Santa Cruz

Love Fest In Santa Cruz

Okay—I don’t think I have ever taught 11 women, and schlepped all my scraps, sewing machine, artworks and clothing anywhere. But when I was invited to work with this close knit group of artist/sewers I jumped on the opportunity. I love to teach. It is such a perfect balance of give and take.

I tried to come up with a curriculum, but the years have taught me to fill in as I go along. I know what I am doing. Do I get nervous? Yes, but then we get into the flow, that all melts away. I am there to share and they are rapt listeners. And they in turn gift me with their ways of doing things and their vulnerability.

We started with show and tell, examining all seams stitches and cuts of the garment. Then I talk about the mystery process of SOLVY, the dissolvable interfacing.

Sunday I do another demo of my Dervish process: collaging pre-painted fabric together into a vest shape. There again everyone has their way of assembling and approach to composing. But I hope I offer another way of seeing. It is wonderful to watch these women using all their senses to create in a new way.

We have a final critique of the SOLVY pieces and vests before we break up. It is rewarding for us to share in the process, elevating the work to a new level, seeing with new eyes.

J & J Tapestry

J & J Tapestry

J & J Tapestry

My friends, John and Judy have been long time supporters of my work. Judy has loved my clothing and gets pieces specially made  for herself . But John has only admired the work from afar. It takes a man with a certain gumption to want to actually wear something I make. I’m working on that!

At any rate, Judy decided she would order a wall piece for their bedroom to cheer John up after their move from the East coast. It would be a large piece stitched with Solvy.  Though I have a number of them around the studio,  none were a rectangular size just right for above the bed.

This was a work of love. It was satisfying for me to work in this technique though the larger scale was challenging ie:  trying to control the fabric.

It is a mystery process because the sheath of  Solvy obscures the work. So I lay it out, pin pin pin and hoped for the best.  When the Solvy was ready to be washed out I could see the piece for the first time. I had to climb a ladder in order to get enough distance to see the whole piece!

 

Because I use hand painted scraps there is always some bleeding that occurs during washout.

The composition was a blending of darks into lights. The dark portion used some brown scraps, so in the washing, some brown bled onto the surrounding white scraps and made what I thought was a muddy mess. I had my art group critique it and though they all loved it, they didn’t mind the muddy area but thought it needed to have more balance. I agreed and so, I superimposed more light strips on top of the muddy places, then added some darks in the white zone for tension. Afterwards I felt like it came together beautifully…

At My Feet…Treasures

Tread Gyre #1

Between my cutting table and my sewing machine (the space of about 2 feet), threads and small snippets fall. Swept up in the gyre, they form random compositions ready to be pasted between Solvy sheets.

The task is to figure out how to preserve the spontaneity of that moment in thread time, anchoring without undoing the life of that arrangement, a delicate endeavor.

Usually I stitch over the entire piece to secure everything. But here I stitched following the threads movements so as not to deviate from the lines. I was mostly happy with the results, though there was still remained a denseness.

At my Ampersand critique group I was explaining this dilemma when an idea came to me: to float the threads. By stitching the layer of threads first and then using an element to create airspace between the denser background and laciness of the treads, I could preserve the lightness. I will keep doing these pieces – as I am always producing waste in the form of treasures!