Guatemala at Last

Guatemala at Last

Man and Holly in Pana, Guatemala

Guatemala at Last

Guatemala has been on my bucket list since seeing my friend Sheri and her husband returned from there in 1973. Seeing them decked out to the nines in their red and white hand-loomed traje, (indigenous wear), I was struck dumb with appreciation and lust!

 

A couple of friends decided they wanted to go with me last fall, but then they both found they couldn’t so I had to think hard about whether I would still go for it. I kept feeling a big yes in my gut. Then my sister-in-law Nan took up the travel idea with enthusiasm. So, using all the research we had previously done, off we flew!

We decided to limit our itinerary to two places: Antigua and Panajachel. Those were bookended by overnights in Guatemala City for ease of transition. We used hired drivers, who prove to be very knowledgeable about the areas and culture, and gave us a feel for how to get around.

And we’re off and running to Antigua.

Antigua is a beautiful colonial city, with cobblestone streets and volcanoes looming over it. We settled into our airbnb in a non-touristy neighborhood and explored the area, finding what became our favorite café for brunch and restaurant for dinner. Nan discovered a little local place to bring coffee and cookies for an early breakfast. Who knew I could drink coffee! The way they roast it makes a milder brew, just right for me. We fell in love with the thick tortillas and black beans, and roasted plantains with crema and eggs for our breakfast. For dinner they had wonderful soups. And more tortillas! We liked going to the same places to get to know the servers and become regulars even the short time we were there…

A woman from my gym told me about a warehouse in Antigua that had Huipils (tops) and Cortes (shirts) all stacked up. It was called NimPot, and it did not disappoint! I mean, really stacked up. We were in a trance, seduced by all the variations of weaving the different styles of ikat, stripes, metallic threads, old, new,
you name it.

I have used Guatemalan indigo hand-woven fabric for many years; I love the weight of it for my clothing, and combine it with African and Japanese indigos.

We went to NimPot three days in a row! Each of us had brought an extra bag, which was filled almost to the brim, we felt like kids in a candy store. The beauty was overwhelming.

It was like being kids in a candy store.

Next stop was Lake Atitlan, we stayed in Panjachel, the main town. Again, we explored the local neighborhood, and it’s rustic flavor. Nan was fixated on pupusas, and we found a Salvadorian place that was a dive bar, but the pupusas and cortido were amazing! Food and fabric- what could be better!

One day we took a lancha (boat) to a neighboring village. Coming back was choppy but safe. The village we visited was set up for tourists, but it was still an adventure. On the last day of our stay, we searched out the market in front of the firehouse, called Las Bombas. There were many vendors with antique textiles. Of course we couldn’t resist. We bought one more bag to share.

Afterwards, we took a chicken bus up to Solola, the seat of the state. (The chicken buses are a marvel of chrome and color). It is not a tourist destination and therefore had many locals in full regalia and a wonderful vegetable and housewares market. I hope to go back there, as it is very auténtica.

I do want to return to Guatemala. The people are so kind, and I love the simple delicious food. Next time perhaps I will focus on the history and artifacts, and not be so fabric-centric. But being there, surrounded by volcanoes and a vibrant culture, is what the magic of travel is all about.

The Crossroads

The Crossroads

Holly B with Celeste in her Sausalito, CA studio

The Crossroads

Having finished clearing out my mom’s apartment I have started the process of clearing my own space. I can hardly walk into my studio. I don’t know where to start. And I realize I don’t have the bandwidth or strength to work as I have all my life. I’m not interested in production and I’m not sure there is still a market for “wearable art” like in the past.

So I have to search my soul and see what I can let go of. One of the key things about sorting and clearing is: where is it going to go? Most of what I want to shed is white fabric that can be dyed or painted. So that’s what I’ve been doing. Measuring, bundling and tagging all the white fabric I am not ever going to get to. I have one woman who I took an eco printing class with who is taking some. That gives me great satisfaction, knowing where it’s going and what marvelous things can happen to those yards of silk, wool, linen and misc.!

I have to search my soul and see what I can let go of.

In my mind’s eye everything I see has potential, rusty bottle caps on the street, papers of all sorts, plastic bags. And fabric. Getting rid of white fabric allows me to shop for Guatemalan cortes (skirts), and African indigos, and kantha blankets. In order to get current with myself, and what I want to be doing, it helps to go through all the bins of fabrics and reorder them, see them.

I love making clothes. I love dressing. I love color. And I love the scraps in my cutting wastebasket and the little swirls of thread on the floor that magically make a neat composition. I want to explore all of the magic and potential that my studio contains. Now I have time. I can make my own schedule. I can ask myself-what will give me pleasure and take my art to the next level?

Stay tuned. And if you want some fabric let me know!

Greetings Textilians & Lovers of Beauty

Greetings Textilians & Lovers of Beauty

Holly B with Celeste in her Sausalito, CA studio

Greetings Textilians & Lovers of Beauty

I am not having a holiday show this year so I wanted to reach out to say Happy Holidays! We have all been hunkered down and dealing with this Pandemic in our own ways. I have been doing studio-lite, some small production for the Santa Fe Weaving Gallery.

Playing with Kantha blankets

My latest excitement has been playing with Indian Kantha blankets to create Jackets and Vests. It’s a fun patchwork puzzle and quite satisfying. My brother Marcus took some crazy fun pictures of us jumping for colorful joy in the new pieces.

Marj City by Holly Badgley, Size: 36”x24”

 Assemblages

At the beginning of last year I took an assemblage class, through City College . It was thrilling to learn how to construct  trash to make 3-D art, glueing and bolting my way to bliss. Oh my, that was sooo fun.  It is a medium that suits me. I love to compose using my intuition to combine the disparate elements the teacher provided.  I aim to get back into doing more explorations with all the treasures I have accumulated over the years.

Holly Badgley discussing her textile art at the Sebastopol Center for the Arts
Holly Badgley discussing her textile art at the Sebastopol Center for the Arts
Holly Badgley discussing her textile art at the Sebastopol Center for the Arts

  Painting…

I started painting a number of years ago in oil. I had two teachers that specialized in plein air-outdoor painting. My current teacher, Carol Myer, ran a class a couple of towns up the highway in a large open studio. She taught me the fundamentals of painting still life. I love her use of color and brushwork. When we started shelter in place she resorted to Zoom check-ins and classes and an occasional outdoor class. So, I have also been able to keep some continuity in my practice. It is challenging and enlivening to be a beginner again.

 Virtual Rack Tours

If you hanker for something to give you cheer and to wear on your zoom calls, I am available to do a virtual studio/rack tour. Click on the button and we can arrange to connect up via FaceTime or Duo and I can give you a tour of my full rack. I have something for every season in many gorgeous fabrics and styles.

Or if you live in the vicinity I can accommodate a one-at-a-time visit to my studio. (After this latest shelter in place order that is.)

Also, check out what’s at the Santa Fe Weaving Gallery. I have worked with the Weaving Gallery since 1993 or so. They are very supportive and have great taste. I send them some of my favorites pieces!  I am grateful to have a store in one of my favorite places.

Happiest New Year!

I hope each one of you is finding a silver lining in this wild period we are in. We will endure and flourish! May this New Year bring all that you need for a fulfilling life!

 

Resources Mentioned in this Blog Post

Badgley Photography

Santa Fe
Weaving Gallery

Making yardage for Catherine Bacon’s art kimonos!

Making yardage for Catherine Bacon’s art kimonos!

Making yardage for Catherine Bacon’s art kimonos!

I make fabric for Catherine Bacon about twice a year. When I was doing yardage for her a couple of years ago, it became more full-time than I wanted. I liked having a steady paycheck, but I missed out selling at other venues ie: the Santa Fe Weaving Gallery, and at the Acqua hotel sales.

As I do love keeping my hands in many pots and in keeping with how Catherine’s business was changing, when she decided to hire surface artists to make one of a kind yardage for her Art Kimonos, I jumped at the chance.

She sends me old remnants of her double georgette, this time in “butt ugly” colors (her words). I love the challenge of painting them into something beautifully mysterious at the same time using up the old fabric from previous collections.

In the past I have planned the fabric to fit her pattern, motif-wise. This time I painted and screened a design not knowing where the pattern would lay. That was a holdover from the Diane Ericson/ Gwen Spencer way of working at the Taos Design outside the Lines 2015. Very freeing.

I would love to see how they turn out. However, Catherine doesn’t usually document each one. That’s another reminder of the fleeting connection I have to these wonderful pieces.

Yemi & The Photoshoot

Yemi & The Photoshoot

Yemi & The Photoshoot

It had been a long time since I organized a photo shoot. It’s difficult to find a model who would resonate with my clothing, a photographer who has a feel for the clothing along with an eye for design.

A while back some girlfriends and I visited G-rdano a local designer’s shop in Sausalito and there was a striking young woman working in the back, cutting yardage. She was a good height, had a modern flair, and a lively presence. She said she did some modeling. Hooray! Info was exchanged.

But I didn’t call for a while for lack of pieces on the rack. So when I worked up a new group of pieces I Had the forethought to give her a call. We did a pretty informal shoot with my camera and afternoon light, which, it turns out, in my building just doesn’t cut it. Plus my camera is slow, too little resolution, etc. The photos were pixilated and unusable. I had to reshoot the pieces on the mannequin.

However, my brother said he’d be willing to come down and do the shoot for me. Now, Mark does my website, all the evites for my shows and the designers shows. He’s got vision in terms of trends and an eye for composition. I just needed to make something to shoot!

 

Getting ready for the last Acqua show I was steaming-cooking with gas as they say. Pieces fell into place.

The day was clear, the light divine. Mark and I scout a couple of locations inside and outside the building. Yemi arrives.

She has left her hair natural. It has volume and life. It frames her face, highlighting her large and beautiful eyes. I got excited. She was in a very spunky mood. Mark couldn’t keep up with her as she kept doing these rapid moves that were so fun and versatile.

A while back some girlfriends and I visited G-rdano a local designer’s shop in Sausalito and there was a striking young woman working in the back, cutting yardage. She was a good height, had a modern flair, and a lively presence. She said she did some modeling. Hooray! Info was exchanged.

Having a great model makes the clothing come alive. Yemi knows how to move her body to enhance the drape and cut of the cloth. The way she wears the pieces gives them a timeless and almost spiritual quality. This is clothing for all ages of women, offering beauty and style. I am grateful for my newfound team!

Cracked Open in Taos / DOL 2015

Cracked Open in Taos / DOL 2015

Cracked Open in Taos / DOL 2015

A year ago Diane Ericson asked me to be a guest teacher in Taos for her Design Outside the Lines workshop series. I immediately said yes. Why wouldn’t I want to be at Mabel Dodge Luhan House sharing what I know best with 20 women I had never met?

The excitement started building as I gathered supplies that needed to be shipped beforehand. Okay -I needed to make sloppy bags for holding scraps. Check. Okay -I need to bring all the Solvys. Check. I needed to pack what’s on my rack. Check. Okay -I needed to make some more pieces to show my technique. Check.

In the meantime my sleep is getting rattled. The energy is ramping up. It’s gonna be okay- I can do this, I remind myself.

After spending some days with my Albuquerque brother exploring Puyé cliff dwellings, I headed up to Taos via Santa Fe to see Elise and crew from Santa Fe Weaving Gallery. I met Diane at Mabel’s. We chatted and went to Love Apple for dinner. We share our life’s stories. A connection was made.

The next day the women start arriving. We set up the log cabin, where Diane has her store and we have our “products”. There we gathered in the late afternoon after dinner and introduced ourselves. My mouth is dry. 20 women.

But the room is cozy and we are all here for the same reason: to create, to share, to support the process of creativity and exploration.

Monday starts off with a bang. We do our demos. I am demo-ing my Pelt solvy technique, a thick dense composition of scraps, that could become clothing as in: what would the modern Neanderthal wear? In the afternoon, I demo the Dervish technique, how to lay out your fabric scraps with a pattern in mind.

Diane meanwhile is really speaking to the heart of playing/ exploring vs. the psychology of the workshop mentality, ie. I have to finish something to show what I did when I spent this time with myself. Doing vs. being.

What cracked me open was her talk about her “birthday” shirt. It is a special process she does for herself every year. She creates a theme for the shirt, in this case lightness, and brings that into play. She started by playing with paper airplanes, then folded airplanes out of cotton to use as a pocket, and stenciled

airplanes onto the shirt fabric. But it was really the way she talked about making time for herself and honoring herself that moved me. By the time I got up to present I broke out into tears. The thing was- that was perfectly okay. Everyone got what was happening. Everyone was right there, no judgment.

DOL is a safe place to be your most vulnerable. And as a result every one is open and supportive. Diane is a marvelous storyteller. She has comic timing. And yet there is room for the tender sharing of our hearts.

The time flew by. Some people made and completed items. Most did not. Most tried things out: stenciling, screening, pulling cording, making frogs, composing fabric, hand stitching. I made a purse/bag. I was happy to take part of the stitching process.

Next time I’ll be a student. Gwen Spencer, the very talented assistant said at the end to me: be a student. I’m taking her advice. I’m taking DOL in Taos where she’ll be the guest teacher.

The last day as we sat in a big circle I can safely say all our hearts were more open, that we were all bonded, all filled with new ideas and excited about the next creative step. I was honored to be a part of that experience.

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